Understanding Light - and shooting right!

Posted by PRASSPRASETIO

all cameras average the existing light. What that means is, just because you can see it, doesn't mean the camera can. The human eye is far more sophisticated than the most expensive camera money can buy. For example, you stand someone in front of a bright window, your eye can still tell who that person is, but the camera can not, at least, not without help. Your eye will zoom into a person's face and ignore that bright light around them, but the camera will not

Running Apple Mac OS X on Windows PC!

Posted by PRASSPRASETIO

In the best case, Mac OS X Leopard on standard PC hardware can use the full graphics acceleration (Quartz, Core Image) and all the characteristics of CPU

CANON Rebel XS 1000D

Posted by PRASSPRASETIO

recently their in-depth review of the new Canon Rebel XS 1000D!

CANON G9 - Back up For Professionals?

Posted by PRASSPRASETIO

Canon G9 that seemed to have nice specs (12.1 megapixels, a 35-210mm image stabilized lens, and RAW capabilities) and an even nicer price (under $500). The images on the big LCD looked great and the list of pro features on the camera was impressive

Stock Photos, Royalty Free Stock Photography, Photo Search

Showing posts with label digital camera. Show all posts
Showing posts with label digital camera. Show all posts
Canon has announced a firmware update for their EOS 5D Mark II digital SLR enabling manual exposure when shooting videos. With the updated version, users will be able to manually adjust the shutter speed, aperture and ISO settings in the video mode. The new firmware will be available for download on 2 June 2009 from Canon's website.

Canon’s Research and Development team has listened closely to customer feedback to develop additions to the camera’s movie recording functionality.
Allowing EOS 5D Mark II owners to achieve even more stunning video results with the camera, the firmware update will include the following manual controls when shooting video:
Full aperture selection
ISO speed: Auto, 100 – 6400 and H1
Shutter speed: 1/30th – 1/4000th second
DOWNLOAD THE FIRMWARE UPDATE FOR CANON EOS 5D MARK II

The EOS 5D Mark II integrates full HD movie capability into a high-end 21.1 Megapixel camera; opening a multitude of new possibilities for photojournalists and news photographers. Since its launch the camera has proved its appeal to professionals working in diverse fields, from studio and wedding to nature and travel. Now, following customer feedback, Canon has improved functionality for professional video users, further unleashing the potential of the EOS 5D Mark II for cinematographers and photographers alike.

[DIY] Hacking Beauty Dish for speedlight

Author: Prassprasetio On Wednesday, May 06, 2009 0 comments Share on Facebook
Everyone loves smooth, creamy portraits that a Beauty Dish creates, but hates paying the ridiculous prices for the units, usually starting at around $200. So why not hack yourself one? David Tejada did!

The commercial photographer decided to make one himself for his Speedlight (although this can be used with pretty much any large flash unit) after looking at some available online, which just weren’t worth the cost, in his opinion. So after finding a little bit of inspiration from Flickr member Tyler Burk, adding his own special ingredient in the form of a convex mirror to help bounce light, and just a little bit of effort, David has himself a REALLY nice looking beauty dish for a tiny fraction of what even the cheapest units go for online.

Made out of a garden pot, an empty CD spindle, a drain gutter downspout, some velcro, and spraypaint, this beauty dish creates some silky lighting for your portraiture, with a reported loss of light of only about a stop and a half, not too shabby for a DIY hack at all. The top image here is the bare flash, the bottom is with the beauty dish.

[RELEASE] CANON EOS 500D - new era HDSLR

Author: Prassprasetio On Tuesday, May 05, 2009 1 comments Share on Facebook

Canon announces the new 15.1 MP APS-C CMOS sensor with 1080p HD video recording at 20fps. It also offers a 3.0 inch LCD with 920,000 dot resolution and an ISO sensitivity range expandable up to 12800 equivalent. It includes a faster DIGIC 4 processor offering better noise reduction at higher ISO's and continuous shooting speeds of up to 3.4 fps delivering 170 large JPEG images in a single burst. which offers photographers an outstanding combination of features. Canon now brings Full High Definition (HD) video capability to consumers in a compact and lightweight DSLR.
FEATURES :
  • 15.1 Megapixel APS-C CMOS sensor
  • Full HD movie recording with HDMI connection for viewing and playback on an HDTV
  • ISO 100-3200 (expandable to 12800)
  • 3.4 frames per second continuous shooting
  • Max. 170 large JPEG images in a single burst
  • 3.0” ClearView LCD with Live View mode
  • 9-point wide area AF with cross type centre point
  • High speed DIGIC 4 performance and superb image quality
  • EOS Integrated Cleaning System
  • Full compatibility with Canon EF and EF-S lenses and EX-series Speedlites, including new Speedlite 270EX, TS-E 17mm f/4L and TS-E 24mm f/3.5L II


you can find more review at dpreview.com
It's a photorevolution! when photographer become a motioncather!

[REVIEW] Canon G9 - Back up For Professionals?

Author: Prassprasetio On Thursday, April 23, 2009 0 comments Share on Facebook

Canon G9 that seemed to have nice specs (12.1 megapixels, a 35-210mm image stabilized lens, and RAW capabilities) and an even nicer price (under $500).
The images on the big LCD looked great and the list of pro features on the camera was impressive.

I wondered if this camera had more potential than just being a “snapshot” camera. For example, not only does the camera have manual mode, exposure compensation, a great macro mode, RAW capability, and a live histogram, but it also has 3-frame auto bracketing in 1/3-stop increments up to 2 stops, over and under. I could easily do HDR (high dynamic range) images with the G9 if I wanted. The camera also has an optional filter adapter and I could use my polarizer and grads on the camera. I am lost without filters and the ability to use my arsenal of camera filters on a point-and-shoot is really important to me. This camera had the potential to produce photos I could use professionally with its pro-like controls and a big pixel count.
the images from the G9 made sharp, clean files that produced amazing 12x16 enlargements that easily rivaled that from 35mm film. Wow, a snapshot camera that could make big photos! The lower ISO settings made the best quality images (ISO 80-200) but I was still impressed by the higher ISO settings given the huge pixel count on the small sensor.


Is there anything missing from the camera? Sure, it would be nice if the lens was wider than 35mm. You can buy a wide angle adapter lens that gives you about 28mm, but that just means hauling more gear around which counters the reason for owning the camera. Also it would be great if Canon returned to a swiveling LCD for low-level, macro, and surreptitious photography. I also wish there was a cable release socket on the camera. I can work around all these issues, but overall, this little camera has ignited a renewed passion for photographing the world around me.

Need Free Photoshop? use this!

Author: Prassprasetio On Tuesday, August 19, 2008 0 comments Share on Facebook
If you are on Deadline! but your software suddenly stalled...or you have been detected with photoshop sofware piracy detector :P so you must uninstall your photoshop software. Or you don't have enough money to buy an original photoshop PS3 software (US $689)!?? Don't be a loser pal! if you have less than 2GIGA for each picture. You can uploaded into Photoshop Express. Fully recomended for Connecting with your Flickr or Facebook site. JOIN an VOILA!

If you need a place to share for picture about you're special family outings, that favorite vacation, your daughter's wedding, and all the beautiful moments been captured.

Now using Photoshop Elements 5.0 and the related online service – Adobe® Photoshop® Showcase – you can turn these special moments into lasting memories.
by uploading and share your Adobe Photoshop Elements creations, also you can view content from other people, or if you want to protect your picture right just publish your Flash Galleries online.This 3 Steps only Needed:
- Capture that special moment
- Create a special album or personalized Web Photo Gallery using Photoshop Element 5.0 or later
- Publish to www.photoshopshowcase.com and share your memories with your friends and family with just a few mouse clicks.

It’s EASY, FAST, FREE, SAFE and SECURE – so what’s missing? . . . . . . YOU!

Camera Review site, DPReview.com, recently their in-depth review of the new Canon Rebel XS 1000D!
Remember that "in depth" really means in depth; value of 35 pages. :)
To read everything you can just click HERE.And Here are some links to pages that I find most useful:

Table comparison with other entry-level Canon cameras

Complete Specifications

Table comparison with the Nikon D60, Sony A-200 and the Olympus E-420

The advantages and disadvantages of the conclusion

Sample images


I think it a great entry level for all those who want to move from a Point & Shoot camera. But before you buying, I always recommend that you go to a store and give it a test drive. See how it feels in your hands compared to other models. Play with the buttons and make plans test.

In last couple of years,I’ve made several great friends who work in Photo Labs. When asked about the biggest mistake they see every day; the response is always the same. They usually answer after a long sigh, "These people just don't understand light."

Remember: all cameras average the existing light. What that means is, just because you can see it . . . doesn't mean the camera can. The human eye is far more sophisticated than the most expensive camera money can buy. If . . . for example, you stand someone in front of a bright window, your eye can still tell who that person is . . . but the camera can not, at least, not without help. Your eye will zoom into a person's face and ignore that bright light around them, but the camera will not.

The camera's whole purpose in life is to make an image that is 18% gray. Long ago, someone decided that 18% gray was as close to the human eye, as a camera can get. But if for example, 80% of the picture frame is filled with light that is brighter than 18% gray, what does the camera do? It tries to average out the given light. It will take your best friend and makes him or her, a silhouette. Don't get mad at the camera, it's only doing what it's told to do.


Remember, if you want a subject to actually be white (a wedding dress for example) you will have to give the shot more light than the camera suggest. If you want it to actually be black, (a black horse for example) you have to give the shot less light than what the camera is indicating.

find my another photos in my deviantart

If you are a photographer of any nature whatsoever, you will be prompted to make someone a day of marriage. Do not be taken lightly. It is a special privilege. Often, the bride will be covered in a new hairstyle and fashion beautiful dress. However, it is much more than a beautiful model to take pictures. It embodies the meaning of marriage and family happiness together. It is natural for her to be both thoughtful and pensive radiantly happy his wedding day. Its future is wrapped up in this one occasion. She will cry, laugh aloud, and show emotions unexpectedly. This is part of its history of marriage. You must seize the best possible

During the shooting sessions, you will have his picture alone, and with the groom and his family and friends. You will kill nearly full length, and from afar. You will see the capture and his personal energy and mood. More importantly, you will have the happiness of his capture both as a person and a wife. You pass it to an advanced stage of preparation. However, this careful preparation can be the first time. Here are 12 tips for achieving that success.

1. Talk to the bride.
Spend time discussing the wedding day photo session with her. Also, if possible, take some photos of her and husband before the wedding day to help train this relationship. This combined effort will produce reliable planning and lands on the big day.

2. Clean, triple control, and know your equipment.
Failure of equipment is the biggest killer of wedding photos. A trigger can stick or a bad battery instantly without warning. Have emergency equipment at hand and ready. Also, know your equipment combined with better parameters (for example, aperture size, shutter speed, brightness and strobe) for all conditions that you encounter during these sessions. Stick with these settings so you can focus on the bride herself. In addition, the use of camera and lighting equipment that loads and fires easily.

3. The use of lighting available.
The natural light gives a strong atmosphere size photos of marriage. If the weather is rather cool, turn his covered porch or a soft shade of trees where natural lighting is available. However, if these plans must be made inside alone, then use an atrium, a window or door glass, or a chandelier or opera for candle lighting available. Most professional photographers are masters at blending lighting available with strobe lighting. This skill like wives when they see the pictures.

4. Keep it simple.
This tip applies to all other advice above and below. By nature, photography is complex with numerous technical and artistic details to consider. Do not go beyond what you or your equipment can be done easily.

5. Use a few accessories.
It's okay to get the big bang is the big church altar outdoors or Vista with the bride and her dress posed in it. However, these plans may affect the bride to a certain extent. Simplification plans are equally convincing. Photo next to his beautiful piece of furniture, a guardrail or wooden staircase, a brick or marble column, exotic or shrub or flower garden. Try placing his hand on or near some accessories while explaining what you are doing. If necessary, take a little practice plans to relax it. Then, as she took her wedding day itself, click, take the photo quick.

6. Try controlled humour.
Few marriages are totally serious. A slight humor is well received, and often the subjects relax. But do not make the weight of a joke that if necessary, although this ploy will work properly. For example, you might try something similar at the tip if your next session is tense. While aiming your camera to the wife or his group, let your trousers all of a sudden drop to your ankles, exposing a large pair of baggy white bloomers with lip-shaped lipstick on all draws. Make sure you have an assistant with you if you try it.

7. Be yourself.
If you're not a comedian, nice and sincere. Brides are understanding. They will respond to your sincerity with sincere poses.

8. Expect interruptions.
The bride is never alone on her marriage. She is the star. Everyone is talking to her, including hiring and help the photographer. Interruptions May break your shooting schedule slightly, but they relax his own. Keep smiling.

9. Look for natural features.
If the bride is a farmer or rancher, take a few shots near a barn, a tractor, wood fence, or with his horse. If it is a body builder, project its power in a coup or two. No biceps please, or boudoir.

10. Never miss a favorite relative or friend.
Sometimes a favorite aunt, uncle, grandparent, friend or not arrive until halfway through the reception after the ceremony. Be sure of this photo guest with the bride, even if it is slightly disheveled to celebrate. If, for whatever reason, the bride can not be photographed at the time, take a picture of the special guest alone against a plain background. Then, later, have the laboratory digital insert this image in another photo of the bride or her group.

11. Make a list of ball in advance.
Before marriage, write a proposed list of plans. Wherever possible, a study of the wedding album to learn what shots are important. Include the wife of your suggestions on earlier discussions with her. Take all the shots on the list. Also, be ready to add new ones, or to change the order in which the list is actually taken. Such a list might include the following elements.

Bride Alone
At the church or facility / park / input structure and / or altar / gateway stages: full train (back, side and front), up close, does differ from its operations bouquet of flowers
Interior: near a window (daylight); closely, looking in the bouquet or research through the window
The exterior: nearly a photograph of property, an ornamental tree or flower garden, near a guardrail or stone / wood structure

Bride and Groom
Same as above

Add mood / Romance plans of their hands and rings and two of them in search of each other eyes, almost kissing, or in a relaxed atmosphere at or near a beautiful scene

Wife with other
With the maid of honor, flower girl, ring bearer, bridesmaids, all bridesmaids and flower girl (two plans pleasure, for example, showing her garter with everyone sitting and laughing), with his mother , Father, mother and father (add sisters, brothers, and close relatives), with sisters and / or a brother, grandparents and other family members

With the minister, friends and special guests / pers

Requests married (select plans it wants at any time, not always advance)

12. Repeat sessions in your mind.
For Card-fire your ideas more clearly, visit the house, the church building, reception area, or any place where the photos will be taken on the wedding day. This process becomes instinctive with mental practice. Look for accessories for beautiful scenes and background, but do not try to use them all during the sessions. It suffices to note in your mind when the opportunity arises. Developing an idea for the moment the potential to photograph the wife to some of these places.

In summary, taking photos of marriage is so serious that the wedding ceremony itself. The humour and fun can this aid provided, sometimes tense, personal and private session. Because all of them are wives, to take their wedding day photos requires discipline, sincerity, and preparation. Then, as these photos taken very privileged, do so with care, loyalty and obedience.

Download wedding photography E-book

More info :
New York Institute of Photography "Wedding Photography: for professionals and clients" http://www.nyip.com/ezine/people_and_pets/weddings.html

[TIPS] DPI how and what!

Author: Prassprasetio On Tuesday, July 22, 2008 2 comments Share on Facebook

When I started on the Internet, I was a photographer. I started to surf the Web. After several months of research tutoriel photography and photo link, I realized that most of these sites used thumb tack tests format
(usually 1 "x 1 ¼ inch or less). This is back in the days that have a 28.8 modem is considered at high speed.

The reason for these inch nails were so small that it is has taken so long for pictures to come on the page. When you click on an individual thumbnail, a larger version of the image has been
(usually 4x6 or more), but it would take a very long time to do so.

Search all major images I could find, I saved the ones I liked, and brought them into Photoshop where I could be compressed. I made my own site with images that have measured a huge 2 inches x 2 ½ inches, which is better than the small thumb nails, I have seen anywhere else. I quickly found that over 90% of their images were recorded at 72dpi, so that what I did. For several years I have saved all my pictures to 2 inches x 2 ½ inches and 72dpi.

As my interest in photography continued to grow, I realized that the photograph of a portrait website could be cool, but it gave me no money. I needed to set up a site of my own photos. At the moment, I was using a 56k modem and decided my photos must be greater. When I scanned in my pictures I usually do 100% 72dpi, so that all my pictures online now where size 4x6.

After a few years, my laboratory has begun to offer images on CD. They were also 72dpi if I did not have to scan and more. Life was good, but they have used file sizes as 44 inches x 56 inches at that time, I can not really understand. I did not know anybody who ever printed something that big, again, I took these images compressed and reduced to 4x6 inches.

Finally, I started doing the same thing, but saving them as 5x7 inches. My new site www.prassprasetio.com actually looks impressive and very quickly loaded. Yes, I also finally strengthened at high speed real (1.5mbs a sec.) Life was good again, until I returned and began to pursue one of my great loves (writing). I am rather than using this site as a gigantic portfolio, why did I not offer something to sell as well. You know the old adage "write what you know best? For me, it makes perfect sense that I should start writing about photography "how to" advice. That's when things started to get complicated.

When I looked around self publishing and printing on demand publication, I found that they wanted all images at 300 dpi or more. It was a total shock to me. I had thousands of images ready to use, but they were all rescued in 72dpi. I thought Photoshop could save me again if I started to convert to 300dpi, but something is not right. My 300dpi images considered worse than my 72dpi images. I was at a loss. Then I returned and my research.

The reason why the images on a CD of the laboratory are so enormous (measure) is that you can use images in any format. 72dpi is exactly 25% of 300dpi. If you want your images 300dpi appearance razor sharp as the images on your 72dpi done online, printing must be 75% smaller. In other words, an image that measures 44 inches x 56 inches 72dpi would be the same quality as the image that measures 11 inches x 14 inches at 300dpi.

If you take a picture that was originally 5x7-inch 72dpi and try to convert directly to 300dpi, this is not a pretty picture. Similar to the equivalent of the right f-stop and shutter speed right, you should take two factors into account! Size of DPI and are always linked together. You can not change without affecting others. It is much easier to do something that looks good smaller, than trying to expand something after the fact and try to make it look even close to the original. However, the best photo tip I can give a new beginning today is: ALWAYS save your images bigger than you intend to use. Do not waste 15 years of your life and thousands and thousands of images that can be used in a way. Always save big!

[D.I.Y] Do It Yourself TABLETOP!

Author: Prassprasetio On Saturday, July 12, 2008 0 comments Share on Facebook
intro
Light Studio for Photographers (Tabletop)


This instructable shows you the easy, inexpensive, and quick way to create a light box
that can get you the same photographic results as a 150 dollar light box.
The only difference is that this one can ultimately be built for under 10 dollars.
For those of you out there that don't mind spending a few extra bucks or for some reason hate recycling,
you can spend up to 30, but hey, its still cheap and way less than those "official" light box rip offs.

step 1
Get Materials
Refer to the image for materials.

Keep in mind what you may plan to shoot pictures of, for it will be a good factor in deciding
how big you want your box to be. Since were laying poster board in the box, I would recommend that you keep
the boxes' dimensions within the width of the poster board.
The two colors of poster board I would recommend getting are white and black, but of course its also good
to experiment and I find that blue and red also make good backgrounds.
But, use any colors you wish. The color of the poster board sets the "mood" for the picture i.e.
black background would be for like sleek watches or high dollar items, where as white may be for something
like a vase with flowers, or something "light" and "airy"

step 2
Prep the Box

The first thing you will need to do is get the box ready so you can apply the screen windows
(vinyl shower curtain in my case)
You only assemble the bottom of the box, leave the top of the box flaps open, but make sure the bottom is taped shut.
Try to tape the flaps together very closely to avoid a lot of light to get through.
Now lay the box on its side and assuming your box is square the side that is now facing up is your new top.
This is how the box will be oriented from now on, whenever you take photographs.
Make sure the open end is towards you and cut the top and bottom flaps off of the box, but make sure you leave
the left and right flaps.
Now (I used a carpenters square but I assume most people don't have a 3 foot square laying around, basically all you need is a straight edge.
Get your marker and trace straight lines parallel to all edges creating a square shape on each side of the box, left, right, top and bottom.
Make sure to leave about 2 inches of space between your lines and the edge of the box. If you have a larger box, I would go with 3 or more inches.
Use your judgment on this one. Now if it helps, keep using your straight edge (whatever you may have used) and use it
to aid you in using the utility knife to cut the squares out of each side of the box.
Be sure to leave the former bottom now currently the back of the box taped up.
Don't cut the back of the box that you taped up.

The picture should clear any questions you may have up.
Areas in gray are the sections of the box that are to be eliminated.

step 3
Cut and Apply Light Diffusing Material to Box Windows

This step involves cutting your material, in my case a vinyl shower curtain to fit the open spaces
on the sides of the box.
Get your measuring tape or w/e you have and measure the square spaces in the sides of your box to get an idea
of how big to cut your squares of material.
Going past the edge is key here, in case you may not have realized that.
So if your square space is 18 inches by 18 inches then you want your square piece of material to be 20 or 21 inches.
The look of the box isn't important, so going over the edge and doing a crappy tape job isn't the end of the world.
You can still make it look neat if you tape the material on from the inside of the box.
You could also glue it if that floats your boat.
The 2 or more inches of space you left at the edges is where you will attach the light diffusing material to, whether you do it from the inside of the box or outside of the box.
As you can see I just taped mine on the outside with duct tape. Look at the image notes.
The bottom of the box does not need covered with the light diffusing material, leave the hole..as a hole.
The poster board will be covering the bottom anyway.

Note: Try to keep your material tight or "stretched" so to speak so its not all saggy or droopy in effort not to cause serious shadows or detectable light distortion....
creases aren't a big deal as you can see my shower curtain has creases in it and I have found no effects in my photos.

step 4
Buying Poster Board and Lights

Now your box is basically done. All that we need now are light sources and backdrops.
You can use anything as a backdrop if you are one of those creative types and can make it work.
I find that poster board works very well. The thing to make sure is that the intersection of the bottom and back of box is underneath the curved portion of your backdrop.
This is crucial in order to create a photo without having a crease revealed, and rather makes an illusion of having an infinite nothingness behind your subject.
The more gradual the curve of the backdrop, the less immediate gradient of shadow.
It just takes some experimenting, but you will find that it works fine the first time you try it.
You can use lamps that you already have or buy new ones from Walmart or something.
step 5
Setting Up Lighting

Now that you have everything done you are ready to take some photos.
The only thing you may want to do now is learn more about lighting and still life photography.
Arranging the lights and angles can drastically change the effects or mood of your photos, along with other various factors.
There are other articles and tutorials that go in depth about still life photography and studio shooting that you can look into,
I figured you would get more professional advice by searching Google than me mushing a few things here and there in with this instructable.

I hope you enjoyed this instructable, it was my first one.
Please let me know if you have any suggestions, or any questions that I may have left unclear.



photo by :

[RELEASE] NEW SB-900 do the rest of your life!

Author: Prassprasetio On Wednesday, July 09, 2008 0 comments Share on Facebook
NEW NIKON SB-900 speedlight flash technology advances at the speed of light with its zoom and smarts

Nikon Speedlight flagship Newest offers a powerful addition to the Polyvalente 
 Nikon Creative Lighting System (CLS)

MELVILLE, NY (July 1, 2008) - Nikon Inc. today launched the SB-900 Speedlight provide Nikon digital SLR photographers with a flash capable of a wide zoom range, increased flexibility, time recycling faster, and a wealth of intelligent functions to strengthen the already broad functionality of Nikon Creative Lighting System (CLS). Building on the success of the popular SB-800 Speedlight, the SB-900 provides users with extensive possibilities of setting up lighting with a simplified interface and the ability to stay current with future technologies by the user updates applied.*

The SB-900 offers unprecedented coverage of the focal range of 17 to 200mm, to increase flexibility in a variety of shooting conditions, while adapting automatically Nikon DX or FX-format cameras. In addition, the light output was increased to a maximum guide number of 48/157.5 (ISO 200, in meters / feet FX-35 mm and the standard format). Photographers can now choose among three modes of light; Centre-weighted "provides the largest number guide and is suitable for pictures as portraits, where light Falloff in the image of the east edge of lesser importance. "Standard" provides a familiar pattern, similar to the SB-800, and is ideal for general photography and "even" which offers more edge to edge coverage, making it ideal for situations such as group photograph. In addition, the latest flagship Nikon Speedlight provides advanced photographers wireless i-TTL capabilities allowing the use of multiple Speedlights with ease and confidence on the spot or in the studio.

"Nikon is proud that his innovative leadership in flash technology has been hailed by photographers who have become aware of the versatility and power that the Nikon Creative lighting system contributes to their photography,"


said Edward Fasano, director general of Marketing System products reflex Nikon, Inc.

"The SB-900 Speedlight now provides photographers with a new level of functionality portable lighting, with performances and smart features that adapt to an even wider scope of the lighting challenges. "


The Speedlight SB-900 is designed to meet the challenges of creating lighting encountered by photographers today, including the need for fast, the demand for performance and ability to adapt seamlessly in almost any lighting scenario. The SB-900 design innovative 
 tube xenon flash and reflector system travel agent - to allow a wider zoom range of extreme wide angle of 17mm (FX) à la mise en telephoto 200 mm achieved without using accessories or as wide as 12mm DX mode using the wide-angle panel engaged.

The SB-900 offers a fast recycling time of 4.0 seconds (at full power) with four AA alkaline batteries, which drops to a mere 2.3 seconds (at full power) while using four NiMH rechargeable batteries-about 25 per hundred faster than the SB-800 with the battery its fifth attachment.

UPDATES: Lots, inside after jump. Also, you had to figure McNally would get his mitts on some early copies...

Just unveiled: The new Nikon SB-900 speedlight. From what I can see, it is fairly similar to nothing like the '800, except that it will zoom out to a 200mm beam spread.

That would be will be so cool, as it basically will give you a built-in Better Beamer, which can concentrate the light for better reach (or higher f/stop) and/or to create a nice grid spot effect.
Much more, inside.

Highlights:

• Rotates 180 degrees right or left. Sweet.
• Flash tube overheat protection, great for hi-power battery users
• More power More GN, but this appears to be only because of the 200mm tele setting: Up to GN 48/157 max
• Faster recycling - 4 secs w/Alkaline, 2.3 secs w/NiMH batts
• Tighter beam spread - up to 200mm throw
• Beam shaping - custom light patterns within the beam
• Faster CLS adjustments - physical dials.
• Upgradable firmware - sweet.
• One-second recycle w/new SD-9 Battery pack.
• Flash duration times: 1/880 (@full power) to 1/38,500 (@ 1/128 power)
• Has SU-4 setting, which presumably still means a great manual slave.
• It's a real honker. Ryan Brenizer has an animated .gif swapping out with the SB-800 here.

and...
It's five hundred smackers.
______________

I will probably get one, but I will definitely still be based on SB-800's for a while.

In fact, this may well drive down the price of SB-800s. Not so much at retail -- Nikon has their price points distributed pretty well for the '600, '800 and '900. But there will be a lot of people who will unload '800's into the market when they get their new '900. (I mean, who needs more than one flash, right?)

And yes, this is probably the only photo site that cares more about the new strobe than the new D-700. If anyone gets hands-on time, please report in via the comments. Thanks!

More info at Nikon site.
_______________

Full Press Release Text

NEW NIKON SB-900 SPEEDLIGHT ADVANCES FLASH TECHNOLOGY AT THE SPEED OF LIGHT WITH EXPANSIVE ZOOM AND INTELLIGENT FEATURES

Nikon’s Newest Flagship Speedlight Offers a Powerful Addition to the Versatile 
Nikon Creative Lighting System (CLS)

MELVILLE, N.Y. (July 1, 2008) – Nikon, Inc. today introduced the SB-900 Speedlight to provide Nikon digital SLR photographers with a flash capable of a wide zoom range, increased versatility, faster recycling time, and a wealth of intelligent features to enhance the already vast functionality of the Nikon Creative Lighting System (CLS). Building on the success of the popular SB-800 Speedlight, the SB-900 provides users with extensive creative lighting possibilities with a simplified interface and the ability to stay up to date with future technologies through user-applied firmware updates.*

The SB-900 offers unprecedented zoom range coverage from 17 to 200mm, to increase flexibility in a variety of shooting conditions, while automatically adapting itself to Nikon’s FX or DX-format cameras. Additionally, light output has been increased to a maximum guide number of 48/157.5 (ISO 200, meters/feet at 35mm FX-format and Standard). Photographers can now also select from three light patterns; “Center-weighted” provides the highest guide number and is suitable for images such as portraits, where light falloff at the image edges is of less importance. “Standard” provides a familiar pattern, similar to the SB-800, and is ideal for general photography and “Even” which delivers the most consistent edge-to-edge coverage, making it ideal for situations such as group photography. Additionally, Nikon’s newest flagship Speedlight provides photographers with advanced wireless i-TTL capabilities allowing the utilization of multiple Speedlights with ease and confidence on location or in the studio.

“Nikon is proud that its innovative leadership in flash technologies has been praised by photographers who have realized the versatility and power that the Nikon Creative Lighting System contributes to their photography,” said Edward Fasano, general manager for marketing, SLR System Products at Nikon, Inc. “The SB-900 Speedlight now provides photographers with a new level of portable lighting functionality, with performance and intelligent features that adapt to an even wider scope of lighting challenges.”


The SB-900 Speedlight is engineered to address the creative lighting challenges faced by today’s photographers including a need for fast, on-demand performance, and the ability to adapt seamlessly to nearly any lighting scenario. The SB-900’s innovative design has the 
Xenon flash tube and reflector system moving independently – allowing for a wider zoom range from an extreme wide angle of 17mm (FX) to the telephoto setting which reaches 200mm without the aid of accessories or as wide as 12mm in DX mode with the built-in wide-angle panel engaged.

The SB-900 offers a quick recycle time of 4.0 seconds (at full power) with four Alkaline AA batteries which drops to a mere 2.3 seconds (at full power) while using four rechargeable NiMH batteries—about 25 percent faster than the SB-800 with its fifth battery attachment.

While ease of use has always been a defining hallmark of the Nikon CLS System, the user interface has been even further refined to simplify control and offer faster operation. Controls for setting the wireless Master and Remote have been relocated to the outside of the unit for easier access and frequently used functions are easily adjusted with a new Rotary Select Dial. A larger LCD screen is easy to read, even in direct sunlight, and photographers can assign “My Menu” hotkeys for quicker access to commonly used functions. A new thermal cut-out protection system monitors conditions when the flash might overheat due to excessive rapid bursts. Helpful operating temperature information is provided to the photographer with an innovative temperature gauge displayed on the LCD screen.

For the first time, Nikon SB-900 Speedlight users will have the ability to take advantage of future performance advancements, by way of user-uploadable firmware. The user will be able to download the firmware onto a flash media card and upload it to the flash through select digital SLR cameras.*

The SB-900 Speedlight is Nikon’s most intelligent Speedlight ever, created in response to the needs of today’s digital photographic professionals. When using the included fluorescent or incandescent filters and adaptor, the flash automatically recognizes what filter is being used and automatically adjusts white balance accordingly on the latest Nikon D-SLRs.* Additionally, the SB-900 aids auto focus with a broader AF assist beam that covers a wide 20-105mm that is matched to all of the D3, D700 and D300’s 51 focus points. The bounce and swivel capability of the SB-900 has been expanded to include: tilt up to 90 degrees, down minus 11 degrees, and a full 180-degree swivel left or right, allowing more creativity for on or off camera use, or as a remote Speedlight.

The SB-900 serves as the new core for the Nikon Creative Lighting System when used in combination with Nikon SLRs, and supports Advanced Wireless Lighting as a master or a remote Speedlight, inviting photographers to discover endless creative possibilities. While using one or more Nikon Speedlights wirelessly, photographers can artistically use shadows, highlight details, and light complicated angles with ease. Along with the SB-900, the Nikon Creative Lighting System features a comprehensive assortment of personal lighting tools that include the agile SB-600 and SB-400, and the remarkable R1 and R1C1 Wireless Close-up Speedlight systems.

Pricing and availability

The new Nikon Speedlight SB-900 is scheduled to be available in August 2008 and will have an estimated selling price of $ 499.95 .** The SB-900 will be delivered with the Speedlight Stand, adapter rebound color filter holder , Color filter intelligent Kit, Broadcaster Dome and the Soft Case. The SD9 Battery Pack is also scheduled to be available in August 2008 with an estimated selling price of $ 230.00.

your camera is your life! Do well

Author: Prassprasetio On Wednesday, April 02, 2008 0 comments Share on Facebook

Knowing your camera well will really help in your handling of the camera. The easy way is to handle a point and shoot camera, which has auto functions that are user friendly. All you have to do is to switch on the camera, point at your target and press the shutter. The exposure and focus are all automatically set for you, even the flash function. The camera will decide if your shot need a flash, if need be, it will fire it automatically.

These kind of 35mm cameras have the highest sales for years, simply because point and shoot cameras are easy to use, portable and it's affordable as well. Majority of the photos were amazingly sharp and well-exposed and with little effort spend by the photographer.

As compared to point and shoot cameras, digital cameras are better for consumers who need to upload their images into their computer. However, they were too expensive when it was first launched. It costs about a thousand dollars to buy a digital camera that has the features and quality of a three hundred dollars point and shoot camera.

Knowing your camera well is an important factor. You must be thinking that serious photographers do not like to use point and shoot cameras. In actual fact, they do bring a point and shoot camera with them whenever they go traveling, because like us, they like to play tourists. However, they use their precious serious cameras when they are taking proper photography. The reason is because they like to be in control. Amateurs use point and shoot cameras for their simple and auto functions, plus their portability as well. Serious photographers are different. They go into detail when it comes to photography, like the settings of the camera. For example, shutter speed, aperture, focusing, etc.

The settings of the camera play an important part on how the picture will look like. These photographers like to be in control of these settings and be able to change them wherever they think will make the picture look better.

The answer to whether your camera will make a difference is yes and no. A fancy camera will not make your photos look better automatically. But being knowledgeable with better cameras will make your photos look better. Of course simple cameras do not have all the sophisticated functions, and when you are all eager to take a good photograph, you will start looking for all these functions. Most importantly, you have to develop a good photographic eye, knowing your camera well, then you can take good pictures no matter what camera you use.

Weis is a media developer, keen to explore things from all walks of life, thus penning them down into articles. She like to do research on a lot of different topics and currently, she's exploring on how to get make money doing simple photography! For more information on the researches, visit http://www.earncameradollars.com

Article Source: http://EzineArticles.com/?expert=Weis_Ow

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Photographing Cultures and People

Author: Prassprasetio On Wednesday, April 02, 2008 0 comments Share on Facebook

As a travel photographer, one of the most interesting and rewarding subjects to capture is the many different cultures and people the world has to offer. Photographing people also brings its share of challenges. This article looks at some of things to consider when looking capturing a culture in an image.

Do your homework

Before starting out, ask yourself this question. Do I know anything about the people I want to photograph? If the answer is no, or not really, then do some research. A little homework and you can gain some helpful insights into how to approach your subject. For example, some cultures might take offence to having their picture taken, some will expect to be paid, while others will rush you begging for you to take their photo. Having some idea of what to expect gives you an advantage in considering how to approach people. Research can also give you insight into the culture of the people. You may discover a piece of clothing native to that part of the world and look for people wearing that piece of clothing. These small pieces of knowledge can make the images you come away with more authentic and real by being able to gain people's trust and cooperation.

Model releases

If you intend to sell your images, you may need a model release. This can present some difficulty in language barriers and people being willing to give their permission for their image to be sold. It can be daunting to ask a stranger to sign a piece of paper allowing you to make money from their image. The best advice I can give is make it easy for them. Have your model releases easily accessible and make them easy to read and understand. Be patient and answer any questions they might have. Most importantly, be honest. Don't hide your reasons for wanting permission. Most times, if people see you are being upfront with them, they are more likely to cooperate. There will however always be times when people will be unwilling to sign a release, or maybe even unable to sign because of illiteracy or language barrier. In these cases simply accept their decision with a smile. Arguing with them will not change their mind.

Be considerate, give something back

It is important to remember that wherever you are, you are a guest in someone else's country, and to behave accordingly. To take great images of people, you need to get them to let their guard down, to relax and open up to you. You will never achieve this with a grab and run approach. Slow down. Stop and talk to people. Give something back rather than making your photography only an act of taking. This may be as simple as engaging in conversation with someone before asking to take their photo, or you might carry around small gifts to give people. Whatever your approach, you (and for that matter your subjects) will gain so much more from the procedure.

A little sensitivity can go a long way in photographing other cultures. It is a practice that will allow you to come away with more than great images. It will also allow you to gain an education. Which, at the end of the day, could prove much more valuable

Mark Eden is a freelance travel photographer and writer, and the founder and director of Expanse Photography, a photographic services company offering fine art, limited edition prints as well as stock and assignment photography and publishing services. Mark can be contacted through the Expanse Photography website http://www.expansephotography.com

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